Plastisol Lettering in Progress

I've been sketching up a new lettering design & cover image for a sequel to the popular Plastisol collection of cracked t-shirt ink textures for Photoshop and Illustrator.

The original design (below) is more of a hand-drawn style that doesn't abide by the normal rules of classic lettering design. Not much structure, but it does have flow. 

I want the new design for Plastisol 2 to retain the spirit of the original, but I want it to be more refined. Here's one of the sketches in the development.

I have a new found love for using tracing paper while creating iterations of lettering designs. The image above is on the path to being more refined, but it lacks a dynamic feeling.

I decided to exaggerate the baseline of the lettering to make it more lively. There are still some proportional problems that I need to address, but here's how it is looking at the moment: 

 

 

Plastisol 2 isn't available yet, but have a look at the original Plastisol Collection here.

Learn more about making your own custom lettering design in the Typographic Logos Workshop.

O'Neill T-Shirt Graphics

O'Neill is known as the Original American Surfing Company. It began as a wetsuit company and surf shop, founded by Jack O'Neill in 1952. It continues to be one of the most sought-after surf brands today.

Here's a compilation of some more recent t-shirt graphics.

O'Neill T-Shirt Graphics by Ray Dombroski

New: Vintage Workwear Logo Templates + Vintage Aloha Backgrounds

I've got two new items to show you today. The first is an update to the Vintage Workwear Logo Templates. It's a collection of 25 logo templates that allow you to quickly create and modify your own logo designs in Photoshop or Illustrator.

Each of these templates has two optional layers of distress texture that you can turn on or off.

The templates are all pre-formatted with Adobe Typekit fonts. Most users of the Adobe CC suite have access to these fonts as part of their Creative Cloud subscription.

But if you don't have Typekit, or are using an earlier version of Photoshop or Illustrator, a list of 20 free fonts from around the web (with links!) is included.

Here's a demonstration of how the templates work:

The second item I want to show you, Vintage Aloha Backgrounds, compliments the Logo Templates collection quite well.

To use the Vintage Aloha Backgrounds template, just choose from a selection of 20 tropical images included.

Drop in a vintage logo, or just type some wording with the Photoshop type tool. You can choose from any combination (or none) of the 6 textures that will help your design or type look weathered or vintage to match the background.

Have a look to see how the Vintage Aloha Backgrounds template works:

See the templates in detail:

Option 1: Vintage Workwear Logo Templates (no photo backgrounds)

Option 2: Vintage Aloha Backgrounds (no logo templates)

Preparing T-Shirt Designs with Texture and Transparency for DTG Printing

If you are printing t-shirts Direct to Garment (DTG) with an online service like Spreadshirt, TeeSpring, or UberPrints here are some things to know when preparing your art files.

T-Shirt Design with Texture for DTG Printing

Unless your design is a solid rectangle of ink defined by the dimensions of your image file, it will best be prepared with a transparent background. An art file with transparency will also be required if your design has a distress texture (like Plastisol, Time Machine Textures, or Bitmap Textures) that knocks back to shirt fabric color. Otherwise, you may get back a t-shirt with printed ink texture.

Many of these companies accept only a few limited file types. The most universal solution is to send them a PNG file with a transparent background (and transparent texture). A transparent PNG can easily be exported out of Photoshop or Illustrator.

Method 1: Photoshop (Simple)

If you have a flattened one color image, here’s one way you can remove a white background color.

To knock distress texture through your design, the simplest method would be to erase the texture out of your design if you have any Photoshop Brush textures like the ones mentioned above. Just double click the brush files to load them into Photoshop. Select your eraser tool. Select one of the texture brushes from the brush panel. Size your brush using the [ ] bracket keys, and click to erase out the texture. Save your file as a PNG.

Method 2: Layered Photoshop File (Non-destructive technique)

If your Photoshop file is layered, you can group all the layers that you want textured. Highlight that layer group in your layers panel and go to Layer >> Layer Mask >> Reveal All. With that layer mask highlighted in your layers panel, simply paint in black with one of the texture brushes to knock texture through your design.

To see how this method works, skip ahead in this video to the 4:00 mark:

This method is good because using the layer mask makes it nondestructive to your art. Just hide the background layer (if there is one) and save a copy of your file as a PNG and upload it to your t-shirt print vendor.

Method 3: Illustrator Opacity Mask

If you have a background-less design in Illustrator, you will have no problem sending a vector file to be printed. However, if your design includes bitmap or vector textures that go back to t-shirt fabric color, then you will want to use this Opacity Mask method.

Export your art as a PNG anywhere between 150-300 DPI at the printed dimensions that you want. Your exported image will no longer be a vector file, but that's completely fine. 

Tips:

  • When you go File > Export, have the transparency box clicked so your textures become transparent to the background color.
  • When you upload your files, make sure to add your desired dimensions in the notes. Even if, for example, your PNG file is saved as 11" x 6" @ 300 DPI, it doesn't mean the person printing your image will know to print it 11" x 6" on the shirt. I've have found that unless you specify, your t-shirt design will often come back bigger or smaller than you wanted.
  • While you are at it, you might as well specify the placement of your graphic on the shirt. For instance, you could include a note that says "Please place graphic 3.75" beneath collar seam."

 

Hand Drawn Lettering

I spent part of the day working up a lettering design for a t-shirt using older analog technologies: Pencil, vellum, pigment liner, and marker pen to get the design started.

image.jpg

The design was later refined by using a photocopier, and then ultimately brought into Photoshop. If this design is chosen, it will be in the Fall or Holiday 2017 O'Neill line.

Reverse Screen Printing

Otherwise known as a "push through," a reverse print is when you flip a t-shirt inside out, and print on the inside of the shirt. Some of the ink shows through on the other side, and it results in a natural texture determined by the qualities of the fabric.

You can achieve different looks, depending on the color and thickness of your t-shirt fabric, the color and type of ink, and also how much squeegee pressure is applied.

These are some Quiksilver tees that I spotted out in the store the other day. Notice how the bottom left design used more ink & squeegee pressure for a different effect than the others. On dark shirts, you will typically need more ink and pressure for your graphic to show through, compared to a light t-shirt.

You can reverse print with waterbase ink or plastisol ink. I've even seen reverse printing done with discharge.

Most often, you will want to use water based ink because it will have a softer feel than plastisol ink. Remember, the ink is printed on the inside of the shirt so a softer print is better!

The Ford Bronco is a graphic I reverse screen printed (hand-pulled) in my studio using plastisol ink on a 100% cotton shirt. You can see that more squeegee pressure was applied at the bottom of the graphic versus the top, resulting in a higher density of ink.

You can also print a reverse print with multiple colors. Here's a three-color 4th of July design we made at O'Neill. Reverse printing is good for graphics that would otherwise be too bold if printed normally. The reverse printing "knocks back" the design a bit and makes it more subtle.

Having a more subtle print is also good with men's floral prints. A t-shirt that would otherwise be more appropriate for a pool party, now is turned into a t-shirt you can wear any day of the week.

Why limit yourself to just printing on the inside of the shirt? This was a two-sided print we did at O'Neill.

The palm leaves were reverse printed. Next, the ink was cured. However, I'm not sure if it was put through a dryer or flash-cured on the press (Either method should work).

After that, the t-shirt was flipped back from being inside out, and then reloaded onto the press. Lastly, the O'Neill letters and frame were screened on top.

If you want to screen print on the inside and the outside of the shirt, it needs to be a design that does not require critical registration. You can see the if the O'Neill letters and frame were to float 1/8" in any direction, it would not ruin the design.

Flow-Tech Lettering

From the pages of Rin Tanaka's My Freedamn 2 book is one of my all time favorite examples of a vintage surf t-shirt graphic.

It doesn't abide by the normal rules of classic lettering or type design.  There's not much structure. But what it does have is lots of FLOW.

There's no mention of who the artist is. But since it's such a vintage design, it is certain that no computers or fancy design software were involved in it's creation.

Computers allow us to create art in perfect alignment and proportion. Let's not forget to take out the pencils, paper, x-acto knives, ink, and spray paint every once in a while to make sure that we keep the flow.

Instagram

I am posting graphic design inspiration to two Instagram accounts. 

The first is TheVecorLab's Instagram. This feed shows general Graphic Design inspiration, ideas, and tools. 

The second is a much newer Instagram account called T-Shirt Design Workshop. It focuses specifically on t-shirt design. You will see vintage tees, graphic design ideas, and printing techniques.

House Industries Lettering and Printing Workshop

I just finished up attending the House Industries Lettering & Printing Workshop in Portland. It was well worth the trek up north.

The lettering portion of the workshop was led by Ken Barber from House. Ken is a true master of his craft, and is quite good at distilling the information down into a one-day workshop.

We covered hand-lettering a roundhand script. This was not a cursive writing or calligraphy workshop where each letter is quickly drawn with a pen or brush.

Instead, Ken's technique is to show how to sketch your logotype composition with a pencil, while keeping the fundamentals of hand lettering in mind. Each person enrolled in the workshop had the project of creating their own lettering design, using just paper and pencil. Have a look at the bottom image of this post to see how mine came out.

House Lettering and Printing paper

House Lettering and Printing paper

Ken Barber in the Lettering Workshop

Ken Barber in the Lettering Workshop

House Industries posters printed by David Dodde

House Industries posters printed by David Dodde

The second day of the workshop was taught by screen printing guru, David Dodde. Like Ken, David is also a true master. He has so many great tips and techniques for screen printing on wood and paper. If you ever have the chance to participate in one of his workshops, don't hesitate to sign up.

David Dodde mixing copper dust into clear base screen printing ink

David Dodde mixing copper dust into clear base screen printing ink

T-shirt packaging printed with the split fountain screen printing technique

T-shirt packaging printed with the split fountain screen printing technique

Workshop participants were able to experiment with House's screens and print their own posters

Workshop participants were able to experiment with House's screens and print their own posters

Loot stash from the Lettering and Printing Workshop

Loot stash from the Lettering and Printing Workshop

My hand drawn sketch from Ken's lettering workshop

My hand drawn sketch from Ken's lettering workshop

Printing One Color T-Shirt Designs

I picked up this vintage Jim Morrison t-shirt (black shirt, white ink - top image) at the Rose Bowl Flea Market on Sunday.

The bottom image (white shirt, black ink) has been inverted in Photoshop, and it's a lot more obvious that it's Jim.

This is a good example of something you will encounter when printing one-color images that were originally designed to be printed with dark ink on light t-shirts. When you are printing one-color photos of faces, cars, etc onto tees sometimes you will get an "x-ray" or uplit look when you try printing that design with light ink on a dark t-shirt.

If you wanted to fix the x-ray problem, you would need to make a new color separation setup for the dark shirts in Photoshop so that the highlight areas of the design (Jim's face) are lighter than the shaded areas of the photo. Essentially, in Photoshop you could create a "baseplate" layer underneath the existing screen, and change the existing ink layer to knock out to shirt color.

But in this case, I think it makes the t-shirt look more vintage and unique.

The cracks in the plastisol ink also add another layer of charm.

By the way, if you are looking to add vintage looking t-shirt ink cracks to your designs, I have some Photoshop and Illustrator textures for t-shirt designers here called Plastisol.

T-Shirt Design Workshop 01: Foundation

The T-Shirt Design Workshop has just been posted!

If you have ever wanted to learn more about T-Shirt Design, this is a must-see workshop. It covers all the elements that go into designing a t-shirt. These are things that took me 15 years of working with surf apparel and various screen printers to learn.

Go here to find out all the details about T-Shirt Design Workshop 01: Foundation.

Make Waves [Free Download]

Today's free download is a Photoshop file that will automate the process of making waves in your photos, graphics, and typography.

Here's one example with some palm trees:

Here's another example with some type:

[watercolor effect created with AquaColour: Bleeds Photoshop Brushes]

You can download the Make Waves Photoshop effect here.

Instructions included inside the Photoshop file. Just double-click on the layer thumbnail to open the smart object. Paste in your own photo or design and save the smart object. Go back to the original file. Voila! Your design will have an instant wavy effect!

~Ray Dombroski

Halftone Spot Brushes

Today I am announcing two new items.

The first is a brand new collection of 15 halftone texture brushes for Adobe Photoshop. It's called Gritty Halftone Spot Brushes.

They fade out with no hard edges, making them perfect for adding subtle gritty texture to your type, logos, and illustrations.

Go here to see Gritty Halftone Spot Brushes.

Even better, at the bottom of this post I will tell you how you can get Gritty Halftone Spot Brushes as a Free Bonus.

The second new item that I have for you today is a bundle of some of the best textures available on TheVectorLab.

This Time Machine & Bitmap Textures Bundle includes a wide variety of 88 textures for Photoshop and Illustrator in the following styles:

    Analog Halftones (imperfect halftones from vintage magazines)
    Bad Photocopy
    Vintage Book Cover
    Fabric Textures
    Garage Textures
    Grit
    Plastisol (cracked t-shirt ink)
    Time Machine (vintage texture)

Order Time Machine & Bitmap Textures Bundle today, and get the brand new Gritty Halftone Spot Brushes for Photoshop as a Free Bonus!

Graphic Design Launch Kit

Sign up for my free email newlsetter (TheVectorLab Newsletter) below and get these Graphic Design resources!

~Ray Dombroski

A Tropical Holiday [Free Download for Photoshop]

Hola!

Last week's free download was a collection of Free Snowflake Brushes for Photoshop. These were wildly popular.

But what if your idea of "Happy Holidays" is lounging in a sunny tropical place, far away from the cold and snow? Well, I've got you covered!

Today's free download is a Palm Tree graphic with texture generated using the Bad Photocopy Texture Template.

Plus there are 5 new Bad Photocopy Textured Snowflakes (much higher resolution than last week's snowflakes). These are in Photoshop PSD and Photoshop Brush format. You even get the image below in a layered PSD file just in case you want to use the type, stripes, or other elements in your own designs!

Go here to download the free Palm Tree and the New Snowflakes!

~Ray Dombroski

Did I mention:

Textured Snowflake Photoshop Brushes

Hello!

Do you need to make designs for this holiday season? How about greeting cards or invitations to holiday parties?

Today's free download may just help you in your process. It's a collection of 24 textured snowflake brushes for Photoshop!

(By the way, the texture for these brushes was generated using the Bad Photocopy Texture Template. If you haven't seen how this template works, be sure to check out the link at the bottom of this email.)

But first, go here to download the brushes:

After you download the snowflakes, have a closeup look at the brushes and also the layered PSD file. This will give you a good idea of the authentic textures you can get with the Bad Photocopy Texture Template!

This template is extremely useful (and fast!) for making vintage textures for all kinds of designs.

If you didn't see this week's new video showing how the template works (and how you can use it to make great colored and layered vintage designs), follow this link. (Look for the blue video)

A Secret Graphic Design Technique from the Archives

There's a graphic designer's old, secret method to transform mundane designs into high quality vintage-style art.

This technique can completely transform the look of your graphics. Especially if you are combining non-cohesive elements like clean vector art, along with a pixelated low resolution photo, some badly live-traced vector art, and a scribbled hand-drawing.

Like oil and water, these kinds of art usually don't mix well together.

The way to solve this problem was knowing how to apply the right kind of texture.

The secret to adding this kind of texture was to wait for the office photocopier to get out of alignment. Next, you would make a copy... of a copy... of a copy... until just the right amount of texture was achieved!

The problem is, today's modern copiers are just too reliable. This makes it very unlikely that designers can utilize this method to meet project deadlines.

But now, there is a solution. You can now get these Bad Photocopy effects easier than ever! You can even use this method with colored and layered designs!

This is the #1 texture method I use in my own designs for real clients and professional work. 

Have a look at the before & after image of this t-shirt design:

Here's a video showing exactly how to apply this method with color and layers.

Go here to get Bad Photocopy Texture Template now.

Aloha,

Ray Dombroski

A couple more things:

  • Did you notice that Bad Photocopy Texture Template also includes a free download of Bad Photocopy Recycle Bin? (50 textures - $34 value!)
  • An even better deal than mentioned above is the Bad Photocopy Master Collection. It includes ALL of the Bad Photocopy collections. Purchase now and save more than 50 percent!